Chris Keenan

I make work for domestic spaces – pots to be used or handled or looked at. Limoges porcelain is the clay; tenmoku and celadon the glazes.

Making, for me, has always involved repetition: one has never been enough. A desire for consistency, achieved through careful and considered observation, exists simultaneously alongside the need to re-examine and alter.

It is a continuous, interrogative dialogue.


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